Golden Shovel after Taylor Johnson’s “Derrida/Coleman”
At some point, we were
two—You and whatever I am. It
made it possible
for us to play guitar chords in imperfect harmony. I
felt the way you held my hand from afar. Would
you ever call me Boyfriend? Could we be
Lovers? I felt hands below my shirt, naked:
The hole in my chest, exposed. Two bullet holes of
the widest caliber they could find. Shot. Bottom of the
west lung, by the people I’ve allowed myself to be nude
- Now, I’ve developed a pheasant’s philosophy
of running every time I see something I could consider
a holster. I fly from destruction before I see it. Globalization
made these things more real than ever. I find I’m made of
all these discrete connections from around the
world, and you are included in that. Lovers is an expensive
word. I can’t waste my feelings. In this american
economy, words must be laced with an uncertain sound.
When Partner would suffice just fine, why should
we throw around Boyfriend like it’s expendable? We
should worry
about the way we
name ourselves. We should
worry because every name I’ve invented before didn’t work.
My mother, I
named the creator of my lungs. I thought I’d believe
in the redemption of sin, so I once named myself Christian. You’re
the one who made me question the right
definition of sin. Suddenly, even the name I
originally tried to give us tastes too sweet. I distrust
the
word
that comes from the human tongue. Its off-white
reminds me of eggshells that sour too quickly. It’s
the meaning the dictionary gives which can’t be sanctified.
Lover: a person who is in love with another. Propaganda
from linguists, themselves, who claim that repetition
in the definition of a word is
the gateway to meaning. But my
gripe is that to use love to define lovers is a sin of language.
My philosophy—that of
a pheasant—leads me to believe the origin
of the universe expanded from a single event: the
explosion some like to name Big Bang. The highest
form of human pride, to name something technology
will never document. Who were we, anyway,
to ordain ourselves to the
church of nomenclature. To give the body
the right to name itself is
a power that should’ve been gifted only
to the all-knowing. It is no power of mine.
Provisionally—
I say, though I don’t know for
sure if any of my reasons
are without that
inherent, human doubt—I’m
going to name you Partner, not
Boyfriend nor Lover. There is no sure
certainty to the things I can’t see the future of.
Someday, I
wonder if I am
going to be convinced
that
the way of the world before
I arrived—before becoming
a namer of things; of music,
of the music
behind the way we speak; of whatever was
before me—is the only
way humanity will ever find a
place in the world. Through the word
we use to name. I
and we and us and every phrase we prefer
to
use to destroy
the
rhythm set by some composer
of nature that simply seeks to renew
the silence, and the
concept
that never needed to be named so extraordinarily
in the lack of human limitation
that allows you and I to continue trying to name ourselves, playing
with some obscure definition of freedom.
Coleman Riggins (he/him) is a gay writer and an undergraduate student at the University of Nebraska at Kearney studying English Education and Creative Writing. He enjoys both editing and design and has worked as the Editor-in-Chief of The Carillon Literary Magazine and is also a co-founder and editor-in-chief of Do Geese See God, a literary magazine created as part of his undergraduate research. He has published poetry in the literary journals Euphemism, Zhagaram Literary Magazine, and The Carillon, and will have a poem published in the Gulf Coast journal in Spring 2024. He has presented his work in local readings as well as on the international level for the Sigma Tau Delta International Convention in 2023.