Of the maker
who gave her the vase
just because she liked it, he said…
Of he who made the vase
and then gave it
to the passerby, to bring home…
No, no matter if it was empty.
She pressed it on her chest
her arms wrapped around it.
Its concavity against her ribcage
started echoing her pulse, heartbeat
resonating chamber to chamber.
Still fresh, the maker said
she’d need to be careful until
it would perfectly dry.
Then, he said
it would hold water.
Still fresh…
She brushed it with fingertips
amazed at the softness
of the outer layer of clay.
Tender, thin, yet flexible
like skin stretched over tendons
muscles and bones.
She could feel, yes, tendons
muscles and bones of the vase
ribs, breathing like hers did.
She walked cautiously
as she embraced the vase that
tomorrow she’d fill with milk.
Or else juice, water, wine
saps, lymph
all pure, all nutritious.
She walked cautiously and yet
with a lilt, yet lightly
as if dancing.
Of the maker
who gave her the vase
for nothing at all…
She only knew he wished to vanish
close shop
be forgotten.
Make a last masterpiece
sell it pronto, sign a pact
with the devil and go.
Be careful, he had said
and she would, though the vase
sure as rock, wouldn’t break.
You see, it breathed already
under
her fingertips.
Toti O’Brien is the Italian Accordionist with the Irish Last Name. Born in Rome, living in Los Angeles, she is an artist, musician and dancer. She is also the author of Other Maidens (BlazeVOX, 2020), An Alphabet of Birds (Moonrise, 2020) and Pages of a Broken Diary (Pski’s Porch 2021).