machinery threads

in the exam hall we hold pens like guns –

scouts entering forest, arrows half-nocked.

 

how do I parade this machine of a feeling as

the bus nearly slams into an unflinching crowd.

 

as it does, a cow crosses the road, people walk

wristcuffed. there is smoke in our wallowing –

 

rising from bed, pulling an omelet over bread

like a blanket to sleep longer in. a glass of tea

 

in the canteen, sometimes two. in a city of ash

I sip slowly a tea of my own. a glass of milk – 

 

I remember the cow crossing the road, the calf

that looks phoenix. I laugh with soap in my eye –

 

you really thought you could keep your eyes

open through the process, didn’t you?

 

it’s just about the tea & then a glass to drink it from

a table to keep it on, a face to look at as I sip slowly.

 

the crowd brings its own rain, smelling of brimstone

& feeling of fire. & then the face to look at –

 

while I sip slowly, holds out a hand. I let ice melt

in the heat of the palm, a parade waning away.

Ajay Kumar Nair lives in Chennai, India, where he’s pursuing his BA in English Language and Literature. A winner of the Rattle Ekphrastic Prize, his work has appeared in The Bombay Review, Muse India, nether quarterly, Praxis, and The Bangalore Review among others.

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