I haven’t moved in a while.
My right arm is curled
up underneath my shirt
because it is comfortable
to touch my own skin.
My thighs too warm
but my feet are too cold.
I am not comfortable here.
Here as in
any plane of existence,
physical space I can inhabit,
position I can warp my body into.
I am a turtle separated from its shell,
and therefore,
its spine.
Have you ever watched an octopus
melt into a space that was simply too small
for eight arms and a pulsing head?
Perhaps an octopus
is too exotic an example—
imagine, rather, a housecat
that stuffs itself into
an oddly shaped vase
that you thought was surely too skinny
for its rotund belly.
I, too, wonder what shapes I’m taking
that I was not meant for.
But I can see my bones through my skin and
I have nothing concealing
how small I am.
I’m far too angular,
too hard at the edges but
delicate on the inside.
I’m one bone cage away from
someone poking a hole in my heart
and killing me instantly.
I have too many ligaments and
muscle groups and other things
that I’m told are in there (but I’ve never seen)
to be able to morph my body
the way that octopus did.
Maybe that’s why,
wherever I am
and wherever I’ve been,
I’ve never felt comfortable.
I was not built for this world.
I don’t know what I was built for;
perhaps nothing at all.
Perhaps I am just part of a long list
of cosmic accidents,
creatures that necessitate theories like
macroevolution and natural selection,
walking sets of organs
that exist solely for the purpose
of teaching a species what not to be.
I am your counterexample.
I am a combination
of everything that makes up you,
but somehow,
I’m not quite as right.
My right hand is curled up
against my collarbone and
I can feel my elbow rising and falling
with the movement of my lungs.
I am unable to move any more.
Brittany Mosley is a 2020 graduate of The Ohio State University with a degree in English. She worked as a reader for The Journal and a blogger for Ohio State’s undergraduate blog, and is a freelance writer and journalist. Her work has appeared in Curieux Academic Journal and Please See Me, and will be featured in Alternative Field’s upcoming chapbook “Poetry in Isolation.”